The Romanticism of Teenage Love in “Bonnie and Clyde” by Salads
“Bonnie and Clyde,” a captivating song by Salads, delves into the concept of teenage love, presenting a narrative that encapsulates the essence of romanticism. Through its evocative lyrics, melodic composition, and thematic elements, the song beautifully captures the emotions and experiences associated with young love.
Salads’ “Bonnie and Clyde” presents a narrative that mirrors the iconic story of the outlaw couple, Bonnie Parker and Clyde Barrow. However, the song transforms their tale into a metaphor for the passionate intensity and rebellion often associated with teenage love. The lyrics depict a pair deeply connected, willing to defy societal norms and embark on a thrilling journey together. It emphasizes the idea of living in the moment and cherishing the intensity of youthful romance.
The melodic composition of “Bonnie and Clyde” further enhances the song’s portrayal of teenage love. The music is filled with energetic beats, catchy hooks, and a lively rhythm, which mirrors the adrenaline and excitement that often accompany young relationships. The soaring melodies and harmonies evoke a sense of adventure and euphoria, capturing the essence of the youthful spirit.
The song incorporates themes of rebellion, freedom, and the pursuit of an unconventional love story. It highlights the notion of breaking free from societal constraints and embracing the intensity of youthful emotions. The lyrics emphasize the desire to escape mundane routines and limitations, encouraging the listener to embrace the spontaneity and passion of teenage love.
This is a song I’ve always loved, apparently far from my kind of music but actually very close to my sensitivity and my vision. It has a sort of nostalgic and ‘out-of-time’ feel, mainly given by the main vocal melody and the stunning, ‘iconic’ oboe parts. Of course, one of the most challenging aspects was keeping my style without going too far from the original. As for the sound I wanted to pursue, I based my version on acoustic guitar, coupled with a percussion set to give a rhythmic backbone that had a quite epic-folk feel. Violins used for the original oboe parts, another oboe, synths and a clean and reverberated electric guitar used to complete the arrangement and give a sort of dreamy feel. However, I think the turning point of OBITF’s version is represented by vocals, doubling and also tripling in interesting harmonies and combinations.
The desire to make my own version of this song had been in my mind for a lot of years, never to be made concrete until few months ago, when I resolved to take this challenge. What I recorded that day at home was a bare version, but having pretty much all the core elements of the final one. I must say I had quite clear ideas on how it should sound, and in no more than an hour everything was pinned down.
Songs, like people, need time to grow. This record has grown and developed alongside The American Hotel System’s musical journey as a band. It started nearly four years ago over a conversation with producer Jake Rye. Shortly after, the world was hit with the global pandemic and all of the band’s plans came to a halt. The band commented, “We’re grateful for that time as it allowed us to grow and stretch into a better version of ourselves. A year ago, we started pre-production and Jake has walked alongside us throughout the process and helped push these songs to be their best.”
From the existential yearnings of “Can You Hear It?” to the introspective mental health journey of of “Tripping,” this EP explores the complexities of relationships and the impact of our thoughts and emotions. “Fire” ignites with raw intensity, delving into the pain and growth that come from letting go of our egos. In “Seattle,” the band paints a vivid picture of growth, capturing the universal language of love and connection. “21st” reflects on the challenges of navigating the modern world while seeking personal growth and selflessness. Finally, “Not The End” offers a poignant reflection on mortality and the legacy we leave behind.
Andrea Piersimoni, giovane cantautore molisano, mette in gioco la sua parte più intima tra influenze pop ed elettroniche. \”Cerco una musica che sollevi, che sia un filo conduttore tra anime, che alleggerisca i pensieri\”.
A new Single by ERATRA, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
A new Single by Cecilia Lara, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
Once you remove the vail of vanity you can sense the divinity in everything.
The song builds from small fragments to massive irruption
Just like the small things contain infinite beauty also called divinity.
Il quarto singolo apre uno dei capitoli più difficili dell’album in uscita “Between Strength and Beauty”, ed è rivolto al delicatissimo tema della salute mentale.
The Real Things ci dimostra che è possibile tuffarsi negli abissi inesplorati dei nostri sentimenti e del nostro inconscio senza soccombere, ma tornando in superficie con qualcosa in più.
Il brano è un monologo dell’artista verso una bambina che è appena riuscita a compiere proprio questa impresa. Essere consapevoli di sé, sapere chi siamo e cosa vogliamo, è sempre stato secondo Amberscent uno dei più importanti “doveri” che abbiamo come esseri umani. E, d’altronde forse il più difficile.
Con questo brano Amberscent vuole celebrare la rinascita di chi, come lei in passato, ha faticato molto per riappropriarsi dei propri pensieri e sentimenti, e quindi della propria persona.
Viviamo in un mondo che riesce ad essere molto opprimente, e secondo l’artista sono più le persone che vivono governate dalla paura che quelle che vivono mosse dal motore dell’amore e del coraggio.
E anche se entrare nelle profondità abissali della nostra mente può essere molto rischioso – l’artista si riferisce specialmente a tutto ciò che viene definito patologia mentale, e purtroppo ancora troppo spesso etichettato in modo dispregiativo – tuttavia in alcuni casi può essere l’unica vera ancora di salvezza.
In questo brano Amberscent vuole fungere da testimonianza vivente che si può risalire in superficie dopo aver toccato la sabbia del fondale della nostra mente, ed è convinta che poter raccontare come sono fatti quei rarissimi granelli sia qualcosa che ha un valore inestimabile per le persone, soprattutto per chi sta affrontando questo tipo di sofferenza.
Il messaggio di Amberscent quindi non è solo rivolto alla bambina, ma si estende a tutti quelli che si trovano tra il fondale e la superficie, e che si sentono inevitabilmente persi tra due cose che in quel momento non sembrano reali, ma che insieme costituiscono proprio la nostra realtà.
“If it were a tarot card, the album would be the Nameless Arcane.
Born of desolation and great solitude, it rests on the backbone of things. It’s a direct confrontation with reality. A disappointment, but also the realization that you can sometimes find nourishment where you’ve never looked. And the endurance to carry on, despite everything”.
No Master is a contrasting track from chorus to verse with a grimy vibe switching into the the feel good guitar licks during the chorus. The track celebrates freedom and trying to control ones own existence in a world filled with social, religious and political oppression.
Once again, love is the theme of this song. A relationship between two girls has finished. However, the point of this song is the respect for the other person and respect to the moments lived together. “If you don’t want me anymore, I’ve come today to pick up all my memories”. Cecilia Lara, as the writer of the song, is glad for all those memories shared and she is not concerned about braking up. It is not a sad song. She is glad and happy for this beautiful story that has gone away.
A new member in the SONO Music Family: Satanic S’mores
A new Single by Amberscent, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
A new Single by Gintsugi, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
“Explained” tell us everything without saying anything: it warms us up without even touching us.
By listening to this piano solo we are able both to follow the harmonic and melodic steps with meticulous attention, and to distract ourselves in our deepest thoughts.
Amberscent wants to show us that some things are not entirely explainable through words, but they can be explained only when we can feel them.
She refers to those moments when we feel something that we first describe in the universal language of emotions, in order to be able to put them into words.
Following this path, in the third single Amberscent chooses to play the flow of her embryonal thoughts by bringing us into the place the song was recorded, and in the exact moment the song was performed: besides the mesmerizing ambience, the piano keys together with their very distinguishable mechanics, we get to listen to her breath, before arriving at an answer that is only shyly revealed by her improvised humming.
This way Amberscent shows how words explain things in such a direct and precise way that they are somehow forced to sacrifice something; and those sounds instead, however vague they may be, can always carry within them all the meaning of what we are talking about.
What “Explained” tells us is something that surely can be heard but can not be spoken: this is the kind of silence that Amberscent would never do without as a composer.
Frontman and songwriter Jacob Betts opens up about the inspiration behind “21st.” He reflects; “My greatest struggle in life has been dealing with pride. Six years ago, I reached a breaking point where arrogance dictated my actions, leading to the destruction of many relationships. The day before my 21st birthday, I wrote this song as a testament to the life I desired to live from that point forward.”
Building on the success of their previous singles, “Seattle” and “Tripping,” The American Hotel System continues to captivate audiences with their emotive and cathartic sound. The band’s signature blend of pop and rock elements creates a resonant and engaging musical experience. “21st” is a testament to the band’s growth and evolution, both as musicians and individuals. “21st” not only reinforces The American Hotel System’s musical prowess but also showcases their dedication to addressing meaningful and relevant themes through their music. With their compelling narratives and dynamic sound, the band is carving a unique space for themselves in the contemporary rock landscape.
Listeners can experience the emotional journey of “21st” on all major streaming platforms on September 1, 2023. The American Hotel System invites fans, both old and new, to join them in embracing a message of selflessness, growth, and connection as they navigate the uncharted waters of the 21st century.
A new Single by Jeilani, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
A new Single by STYKS, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
To Grace comes directly from a dream. The refrain was whispered into my ear in a dream, by an elder I do not know, but recognise as part of my creative weave.
‘To grace’ is full of joy, not for something that will magically come to save us, but for the fundamental goodness of the connection with people who inspire us, and whom we recognise as members of our tribe. The sometimes troubled, but grounded on deep love, connections.
This song is inspired by Agnes Obel’s for the piano compositional structure, and for the choices of vocal layering in the production.
I was listening a lot of her music at that time and it heavily influenced my musi
A new Single by The American Hotel System, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
A new Single by Our Beauty in the Fire, from SONO Music Family. Discover what inspired the artist, the idea and mood that led to this masterpiece.
This single was inspired by some of the best nights of my life and I really think that resonates with listeners and revives some of their own personal nights to remember.
This song represents a growing process, showing a melancholic, helpless vibe at the beginning, slowly changing throughout the song to a more motivating, energetic setting.
I wrote this song when I was just finishing my apprenticeship. Even though I was still struggling with depression at that time, the fact that I was almost “free” and so close to having the opportunity to do whatever I want, motivated me very much and helped me to drag myself out of this mental hole. I guess that’s exactly how to describe this piece. The rise out of a deep dark hole and the gained strength, once you got “over it”! 🙂
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“MFM” was inspired by sunsets, nostalgia and situationships. We wanted to create a song that was extremely catchy, but still had a layer of edginess to it. It is also a requirement for every Music for Models’ song that it has to move the crowd at concerts – and we are happy to report that it does indeed get them off the wall.
This song was written, recorded, and will be performed to serve as a vote of confidence. Throughout MELFI’s artistic journey, he has always sought out to create new and interesting soundscapes. Although this obsession has landed him a distinguishable sound library of original samples, he has always been self-conscious about the most unique sound in his possession; his own voice. This was something MELFI was determined to change.
Having re-discoverind the genre of UK garage, MELFI shifts his sights onto faster tempos, groovier drums, and more simple yet effective song structure. In deviating from producing dubstep, he was able to imbue similar tactics of vocal chopping, resampling synth recordings, and advanced post processing and automation, but in the context of dance music.
This unique approach enabled MELFI to create an electric blend of sound design and groove for the ultimate “I wish I knew who that was” energy.
I have successfully transitioned from using heavy narcotics illegally to managing my life with prescription medicine from my doctor. In order to express this journey, I have created a fun song that explores the paradox of the party-like atmosphere that often accompanies drug use. I believe this song effectively conveys the complexities of my experience and serves as a positive outlet for self-expression.
Con questo pezzo l’artista racconta del confine tra sfiducia e fiducia, affidarsi e non affidarsi. Nella canzone chiede tutte cose che sa di non ricevere indietro (“raccontami sottovoce”, “parlami all’orecchio”, “parlami coi nodi in petto”). La camera diventa il container caotico delle sue emozioni. Il pezzo nasce in una dimensione intima e racchiude tutte le parole che non ha mai detto a voce piena.
“Attempt n. 2” è il brano che guarisce la ferita di “The Wound”, primo singolo estratto dall’album Between Strength and Beauty, e l’unico brano ambient di tutto l’album.
Nasce e rimane identico all’improvvisazione di Amberscent sul synth Cs-80 (in seguito aggiungerà solo un altro synth per integrarne le basse frequenze).
Il brano è un lento ripetersi delle stesse frasi musicali, che man mano che ritornano aggiungono qualche “parola” in più: “Attempt n. 2” è letteralmente un tentativo di fare qualcosa.
Amberscent compie i suoi tentativi sonori per aprire nel modo più delicato possibile questo sintetizzatore, senza nascondersi nella paura di schiarire i suoni e senza esagerare nel farlo quando l’ascoltatore non è pronto. E lo fa allo stesso modo di come vive parallelamente la sua vita: nei numerosi tentativi di guarire e amare, conscia che queste due parole hanno una connessione diretta una con l’altra anche se usate in modo molto vago e ampio.
Questo tentativo di guarire e di amare è il “n.2” (nell’album ci sarà anche il primo tentativo) perché vuole simboleggiare il tentativo giusto, lento e paziente, quello che arriva dopo numerosi altri tentativi più ingenui, immaturi, e che evidentemente dovevano fungere solo a raccogliere le esperienze e le risorse per poter provarci davvero.
Con questo brano Amberscent chiude la serie di singoli estratti dall’album, dopo aver preparato il suo pubblico a poter vedere la Forza e la Bellezza di un album che in fondo parla proprio di amore e guarigione.
Amberscent dà il nome al suo primo album descrivendo il luogo in cui si trovava mentre lo componeva, perché non aveva ancora capito di che cosa stesse parlando: “ho sentito di stare tra la Forza e la Bellezza di qualcosa che non avevo ancora messo a fuoco”.
Il processo creativo di Amberscent sul suo primo full length album ha inizio dalla sua ricerca personale di natura filosofico – creativa su “cosa c’è in mezzo alle cose” (“what is it in between”).
Amberscent indaga i confini, i bordi, che siano di natura materica, intangibile, visiva e sonora, attraverso un profondissimo lavoro sulla sua psiche e su come essa sia collegata al suono, snocciolando tutto lo scheletro dei sentimenti e delle emozioni che essa stessa sente il bisogno di comunicare al mondo tramite la sua musica.
Secondo l’immaginario di Amberscent, questa forte indagine sui “bordi”, spesso portata avanti da un intensa attività di improvvisazione, arriva al punto di “collasso” nel momento in cui un brano si concretizza. O meglio, un brano si concretizza nel momento in cui questo bordo collassa in sé.
Dal punto di vista sonoro, Amberscent srotola ogni confine tramite l’infinita lotta tra musica elettronica e musica classica: archi e sintetizzatori si mescolano con pianoforti in cui i suoni delle meccaniche dei tasti sono così evidenti da andare a collidere con le ritmiche delle drum machines, mentre voci fortemente processate completano le stringhe di una voce principale sempre molto naturale e autentica.
Questa attività artistica culmina nella creazione, da parte dell’artista, di 12 luoghi: i 12 brani che compongono l’album che lei definisce come i “luoghi sicuri” creatisi dall’implosione proprio di quei bordi e confini che sono oggetto della sua ricerca (sentimenti, avvenimenti e persone della sua vita, e certamente, “suoni” in cui lei ha posto il focus nella fase di composizione).
La verità è che però questi luoghi sono sicuri quanto spaventosi, e rappresentano la “trincea” dei sentimenti di Amberscent.
“Tra forza e bellezza” è proprio il luogo esatto di quella trincea lì.
Solo dopo aver concluso tutto il lavoro, l’artista realizza quale fosse il legame tra la Forza e la Bellezza di cui stava parlando da circa un anno: passando attraverso sentimenti complicati e dolorosi, quanto meraviglianti, Amberscent realizza di star affrontando a tutto tondo e nella sua più vasta complessità il tema dell’Amore, inteso in maniera filosofica come il motore di tutte le cose, e il denominatore comune di tutte le situazioni della nostra vita.
Nello specifico, questo album parla di quell’Amore che è anche una lotta: ciò che facciamo per imparare ad arrenderci: “Nel momento in cui siamo in una trincea di sentimenti e l’unica cosa che possiamo fare, tra tutte quelle forze che ci strattonano, è vedere la bellezza, allora lì è successo qualcosa e per me c’è Meraviglia, c’è Amore.”
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